The quiet act of knowingly using a typeface designed by a supporter of fascism, and then vigorously defending that position, speaks to determined, privileged ignorance, and poses additional challenges to entry. It could even be enough to keep someone from wanting to fulfill their potential with type. In an environment where there are so many high-quality fonts produced every day, selecting a particular typeface becomes more and more an active choice. Typeface selection isn’t just about aesthetics, or features. It’s also about context and source — especially now. In other words, you don’t have to use a typeface designed by a fascist. You choose to.
Behold! My newsletter—sent infrequently—about new things that I’m working on. Every so often it’ll contain notes about web design and publishing things that I’m interested in, too.