Back in ye olde 2014, James Somers wrote about dictionaries and his particular fancy for Webster’s. However! James argues that dictionaries are not tools for showing you what words mean, but instead can be used as prompts for better writing:
Notice, too, how much less certain the Webster definition seems about itself, even though it’s more complete — as if to remind you that the word came first, that the word isn’t defined by its definition here, in this humble dictionary, that definitions grasp, tentatively, at words, but that what words really are is this haze and halo of associations and evocations, a little networked cloud of uses and contexts.
What I mean is that with its blunt authority the New Oxford definition of “pathos” — “a quality that evokes pity or sadness” — shuts down the conversation, it shuts down your thinking about the word, while the Webster’s version gets your wheels turning: it seems so much more provisional — “that which awakens tender emotions, such as pity, sorrow, and the like; contagious warmth of feeling, action, or expression; pathetic quality; as, the pathos of a picture, of a poem, or of a cry” — and therefore alive.
Most important, it describes a word worth using: a mere six letters that have come to stand for something huge, for a complex meta-emotion with mythic roots. Such is the power of actual English.